Ask    just things and things...
gozlukluf:

Gezdiğim zaman şarjımı fişe takmışlar gibi hissediyorum. Muazzam bişi.

gozlukluf:

Gezdiğim zaman şarjımı fişe takmışlar gibi hissediyorum. Muazzam bişi.

— 4 days ago with 14 notes
upclosefromafar:


The world’s highest bridge, The Bridge Of Immortals, is situated in the Yellow Mountains, also known as Huangshan. From the bridge you will have a breathtaking view, and see how the clouds are touching mountainsides beneath you.

upclosefromafar:

The world’s highest bridge, The Bridge Of Immortals, is situated in the Yellow Mountains, also known as Huangshan. From the bridge you will have a breathtaking view, and see how the clouds are touching mountainsides beneath you.

(Source: invisiblefun, via kyotodoll)

— 1 week ago with 106947 notes
asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing
Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.


Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing

Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.

Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

(via tinytsunamis)

— 1 week ago with 3865 notes

babymilksnake:

pls don’t do this to me im very emotional

(Source: oueoue, via cherry-and-also-bomb)

— 1 week ago with 52280 notes

yeoja:

i have nightmares about white people walking around in my house with their shoes on

(via yofukashiwoshita)

— 3 weeks ago with 2835 notes